Thursday, July 26, 2018


I once received an email from a student who was going to be taking AP Studio.  He was responding to suggestions I had made on ideas he had for the concentration section of the studio portfolio.  I was blown away by his response and level of thinking on how he took my thoughts and digested them, then took off in a new, exciting direction.   He wrote that he'd seen an old, abandoned bed post and was thinking of salvaging it and "just maybe based on the idea of modern society through the lens of the whole altarpiece type feel" he could use that idea and his love of art history (proudly, another class I taught that he was in and received a 4...) My response back was long-winded and I realized I was revealing more of myself to him (and to myself) than I had planned - but I kept going anyway.  He was also concerned about being excited with the concepts but afraid he didn't know enough technique to pull off the finished work.  My response:  I hear what you're saying as far as technique.  That will always be a fear (and should be to challenge you).  You can do this - just keep looking at art.  I have become completely addicted to looking.  While I want to do everything I see and wish I could have the time, I learned something when I was in advertising many years ago - I can't be the best at everything.  I realized I would never be the best painter, drafts person, whatever - but I knew I was really, really good at how I approached a concept and could follow it through.  That's my talent.  One of the reasons I have had such a difficult time going back to the studio is that I was trying to do what I have always done - created the still life images I have sold for years.  My fear:  am I still good enough?  Will these still sell?  My reality:  I am a different person and I don't want to do the same things I did 10 years ago.  My love of sketchbook and deconstruct has led me to experience and experiment with  materials and a "quickness" I never thought I could do.  I don't approach every piece as if it has to be in a gallery (and I can tell you many would never make it...) but what I've discovered is what YOU are suppose to discover in doing a concentration.  What you are capable of - what you truly love and are interested in.  The rest will follow.  Technique is about practice...again and again and again.  Concentration is about concept and how you THINK over and over again.

So I'm starting a full length self portrait based on a piece I saw present day but reminds me of John Singer Sargent (I always loved Madame X, I will admit...the attitude and, at the time, secretive nature of the painting and her pose).  This is WAY out of my comfort zone but I actually don't care.  My mother posed an interesting question the other day when i showed her all the self portraits I was doing (I'm working on three...).  she asked me what I was going to do with them - was I going to hang them?  Art has a purpose other than placement on a wall behind that chair...it allows you to see inside who you are and how you perceive the world.  Even if you never show the work to anyone else.  When my mom asked that question I was, at first, annoyed and then I realized she just doesn't understand.  It's the journey that is the adventure.  Not the destination.


Wednesday, July 25, 2018

Beautiful.

Beauty in Brokenness - a concept to play with




What does beauty look like to you?
What does broken look like to you?
Does beauty have to be a set standard agreed upon by others?
Is broken something less beautiful?
How would you put these concepts together through your art?

That’s the question.

What will your answer be?

Interesting Idea for Concentration

I found this image while attempting to do other work - just like all of you, I get caught up in something other than what I need to be doing - but thought I'd share it as I think there is something in it that speaks to a greater idea.  So simple but it pulls at me to try to understand and explain it.  


Art should have a voice.  
Art should not just be a pretty or shocking image.

You have a voice.
Use it well and make people listen.


Tuesday, July 24, 2018

Now THIS is the way to use pencil...


If you can control the medium like this, you are a master.
Jan Albers, hundredfortyupanddown, 2011, graphite on oak

Friday, January 10, 2014

Michelangelo's Grocery List? Really?



Yum.
The great Italian Renaissance artist Michelangelo ate fish and bread like most everybody else. In his 16th century handwritten list of 15 grocery items with accompanying illustrations, the artist requested fish, bread, two fennel soups, a herring (un aringa), four anchovies, tortelli, and wine (“un bocal di vino”), among other items. He sketched the food items not just for the fun of it, but rather because his servant was illiterate. This grocery list is archived at the Florence museum Casa Buonarroti.